With all due respect to the monumentally talented Frank Miller, I'm just going to lay it out clear: I don't think the man is cut out to direct movies. At all. I've always suspected that Mr. Miller earned a co-director credit on Sin City because A) it's his baby, B) having Miller involved helps the film come release time, and C) Robert Rodriguez is a classy dude. But have you ever wondered what Sin City would look like if Rodriguez was out of the picture? Wonder no more, comic fans: Frank Miller has directed a film all by himself ... and it really isn't good.

Looking for slick-looking white-on-black panorama shots of a square-jawed hero as he leaps across the city rooftops? Anxious to get a lot of hot young actresses into sexy outfits? Into highly-stylized pulp dialog that sounds like outtakes from a Dick Tracy comic? Then apparently Frank Miller is your man. Taken as a series of unrelated sequences that sure LOOK cool, The Spirit might just float your boat. If, however, you like your films to include stuff like good sense, character development, internal logic, and a smooth-flowing story ... well, all I can say is that someone should have gotten Robert Rodriguez on the phone.

Coming up on the new year, it's interesting to see which films we had thought would've been released by this point. In the summer of 2007, I recall myself and several colleagues showing up for a press screening of Jonathan Levine's lauded slasher, All the Boys Love Mandy Lane, only to discover it was canceled just that morning and the film had been sold from the Weinstein Company to Senator that afternoon. (The film has since landed at Sony, whose indie arm, Sony Classics, already saw Levine's follow-up, The Wackness, to a proper theatrical reception.)

At least the Weinsteins gave something up for a change. The oft-shuffled Killshot and Fanboys are tentative January and February releases at the moment, respectively, and I just want to see for myself if The Poughkeepsie Tapes has been worthy of its modest reputation following a BNAT '07 screening -- the same BNAT that featured the reportedly sweet Trick 'r Treat that WB continues to hoard.

A perhaps more morbid curiosity has me keeping an eye on Paramount's Case 39, just to see if it's really that bad, and who knows what similar straits Assassination of a High School President, The Accidental Husband (originally last March), and Possession (originally last February) are in following Yari Film Group's bankruptcy -- not that I have much invested in the last two, but Assassination is a perfectly release-worthy noir take-off that deserves a home.

So what do you guys and girls think? Which of these are you most dying to see? What was the longest you ever waited to catch something, and were you ultimately disappointed or satisfied by the time it came your way?

I cringe a little whenever Sin City 2 hits my RSS feed, because the news is generally vague and rarely good. Last week, I noted in passing that Mickey Rourke and Frank Miller were ready for the sequel, and that it could shoot as early as next April. Rosario Dawson also confirmed all of the above to ISEB.net, and added that she was on board too.

Well, it seems Rourke wasn't ready -- in fact, he may not return at all. ComingSoon caught up with him at a junket for The Wrestler, and Rourke abruptly denied all of the above. "No, I'm not interested in that right now. That's not a reality right now. It's pissing in the wind. There's different factions going different directions there. I don't know. That's three hours of make up and I'm claustrophobic, so I'm going to have to work something out."

This is probably just Rourke being Rourke -- tomorrow he could be on board again, and tomorrow all Sin City 2 talk could vanish anyway. However, if he means it (and the make-up is something he brought up with MTV as well), that's not to say that Sin City 2 would be impossible to do without Marv. Any sequel was supposed to revolve around A Dame to Kill For anyway, where pre-Hard Goodbye Marv disappears about halfway in, so it is possible to comfortably write him out. Still, it would have been kind of fun to see a "midquel" onscreen, wouldn't it?

When Scott, my editor here at Cinematical, sent around an invitation to write a brief blurb about a movie each of us is Thankful For this holiday season, I decided to take the prompt as literally as I could. It's easy enough to churn out 250 words on what one thinks is a great film. But no: the question is what movie I'm thankful for. What seems most like a blessing, or a gift? What movie feels like it was made specifically for me?

I'm thankful for Dark City. I don't think there's another movie out there that's so in tune with my sensibilities. It mixes elements of fantasy, science-fiction and noir into something wholly original -- and frightening, and beautiful. It has a boundless imagination, with a story that expands from compact and eerie to mind-blowing and huge. The world it creates lives and breathes and has no limits. At the same time, I'm thankful for the details: everything down to the villains' names -- simultaneously prosaic and otherworldly -- is thought out and thought through.

Both fans and newcomers should favor the director's cut, which, among other things, excises the expository voiceover narration. In doing so, it turns Dark City into a genuine mystery and brings it even closer to its noir ancestors. The movie looks awesome on Blu-Ray, too.

Happy Thanksgiving to all.

Boo! And I mean "boo" in the Halloween sense, not in the "opposite-of-hooray" sense. The multiplexes have plenty of films geared toward this sacred holiday season, but so do the art houses! The Indie Spotlight is here to tell you what's opening in limited release this weekend, and there are a couple of frightfests in the mix. Just because it's not on 3,000 screens doesn't mean it can't scare the skittles out of you.

Here's the lineup today: Able Danger, Dear Zachary: A Letter to a Son About His Father, Eden Lake, The First Basket, The Matador, The Other End of the Line, and Splinter. And here's the lowdown on each of them, in my own highly subjective order of preference.

Dear Zachary: A Letter to a Son About His Father
What it is: An emotionally devastating documentary made by a man after his best friend was murdered.
What they're saying: We've been raving about this film ever since Erik Davis saw it at Slamdance back in January. It's one of the most powerful films I've ever seen, and I know about a dozen people who've seen it who would say the same thing. A few of them are at Rotten Tomatoes, where the film currently stands at 100%. See this movie.
Where it's playing: New York City (Cinema Village).
More info: The official site lists upcoming release dates in other cities

Splinter
What it is: A grisly horror flick about four young people who are terrorized by a parasitic creature.
What they're saying: Ten out of twelve critics at Rotten Tomatoes give it a thumbs-up, saying it's an efficient, creative B-movie -- exactly what it's supposed to be.
Where it's playing: New York City (City Cinemas Village East), Austin (Dobie Theatre), Los Angeles (Mann Chinese), Dallas (Studio Movie Grill), Oklahoma City (Museum of Art).
More info: The official site has upcoming release dates, plus info on how you can watch the film through some cable systems' on-demand service.

Those furry little buggers took us by surprise and Beverly Hills Chihuahua hung on to the number one spot for two consecutive weeks. Body of Lies surprised too, taking third place despite formidable star power before and behind the camera. Here's the top five:

1. Beverly Hills Chihuahua: $17.5 million
2. Quarantine: $14.2 million
3. Body of Lies: $12.8 million
4. Eagle Eye: $10.9 million
5. Nick and Norah's Infinite Playlist: $6.4 million

Four more new ones this week starting with:

Max Payne
What's It All About: In this video game adaptation, Mark Wahlberg plays a widowed cop with an attitude investigating a series of killings.
Why It Might Do Well: Director John Moore has obviously seen Sin City, so maybe some of Frank Miller and Robert Rodriguez's dark and gritty neo noir cool will rub off. Based just on the number of theaters I'm betting this takes the number one spot.
Why It Might Not Do Well: Despite having enjoyed Resident Evil, I still cringe at the idea of a movie based on a video game.
Number of Theaters: 3,200
Prediction: $24 million

Above: You Don't Mess with the Zohan, The Happening, Sleeping Beauty

You Don't Mess with the Zohan
Adam Sandler wandering into topical territory, actually making sense, and stll making the funny? I was surprised too! Don't worry, he still packs in plenty of juvenile gags about the outlandish size of his package and drags in every ancient ethnic stereotype possible, but as an Israeli intelligence operative who wants to become a hairdresser, he pulls off the neat trick of creating a completely silly character in a wish-fulfillment scenario that, well, nearly everyone wants to see. Rent it. Available rated (theatrical cut) on a single-disc DVD and unrated in single-disc and double-disc DVD editions. The Blu-ray includes both the rated and unrated versions.

The Happening
Maybe the inclusion of "over 1 hour of intense bonus footage not shown in theaters!" -- extended versions of "Lion Attack" and Survivalist Porch" among them -- will convert me. Maybe I'll watch M. Night Shyamalan's first R-rated horror flick again some day to see if it still makes me roll my eyes and laugh out loud at scenes that were evidently intended to make me shiver in my seat. Maybe one day pigs will fly. Skip it. Available on DVD and Blu-ray with deleted scenes and "making of" features.

Sleeping Beauty
Scott Weinberg has already written about the awesomeness of the new edition of Disney's animated treasure on Blu-ray. This is a classic no-brainer, a movie that both young and old can dip back into time and again. Buy it. Available on DVD and Blu-ray.

After the jump: Indies on DVD, Blu-ray, and Collector's Corner. Join us, won't you?

I'm starting to think I'm the only one out there who still follows the old maxim: If it ain't broke, don't fix it. But, it's downright silly of me to think that a movie producer would ever miss the chance to earn a few bucks on a remake. Variety reports that Michael De Luca has partnered with Alison Rosenzweig and Michael Gaeta on a remake of Alan Parker's (Evita) 1987 horror-suspense flick, Angel Heart.

Angel Heart originally starred Mickey Rourke as a seedy private investigator hired to locate a nightclub singer who's gone on the run. Robert De Niro co-starred as Rourke's mysterious client, Louis Cyphre, along with Lisa Bonet as the daughter of a voodoo priest. The film had a little bit of everything: voodoo, hard-boiled detectives, the prince of darkness, and more plot twists than you can shake a stick at. Not to mention the film is probably best remembered for its controversial sex scenes starring a Cosby kid naked and rolling around in blood.

The film might not have been a huge hit upon release, but has gained cult status over the years, and according to Variety, De Luca "has long been a fan of the novel." The production is still in its early stages, and so far there are no names attached to the project. De Luca adds, "It's a great blend of genres with a great Faustian bargain, compelling, universal themes and a rare combination of literary and commercial appeal." One thing is for sure -- unless they have some changes planned for the update, I wouldn't exactly describe the story of Harry Angel as one with 'commercial appeal' ... would you?

For the first time in its four-year history, Austin's Fantastic Fest decided to premiere a handful of its titles on the internet, thereby giving the hardcore genre fans of the world a chance to sample what this festival is all about. One of those titles was South of Heaven, which I decided to watch online, so as to give myself the option of seeing something else once the festival began. Plus I figured, hey, if the movie's are already posted (albeit temporarily) on the net, then how "top-grade" could they be? Surely the FF crew would save the BEST stuff for the actual festival, right?

Wrong.

I finished the film at about 3:30am and I immediately dropped the following email to the Fantastic Fest programmers, and this is a censored-yet-direct quote from yours truly:

"Just finished watching South of Heaven, and I can't remember the last non-horror flick I was this jazzed about. It's the Coens meets Sam Fuller while watching Looney Tunes and making an '80s mix tape full of The Smiths and Depeche Mode. I (freak)ing loved it."

You might think Fantastic Fest announces their annual line-up in three big chunks so they can get a little extra press, right? (Hell, if that technique is good enough for Toronto, then it's good enough for Fantastic Fest!) That's a small part of it, but the main reason Tim League announces his slate in three big chunks -- is because he's busy trolling the planet up until the very last minute, looking for good movies. (In the past month he's been to Korea, Turkey, and PORTLAND!)

If you're looking for FF Batch One or Batch Two, you can find those here and here OR at the official FF website ... but if you want the final batch, well, you'll find that right here. As usual I'll include the full press release after the jump, but not before mentioning new Fanty* additions like Fanboys (my review here), JT Petty's The Burrowers, The Good, the Bad, and the Weird (which is so good it's playing Telluride, Toronto AND Fantastic Fest), Alien Raiders (aka Supermarket), and the long-awaited Repo! A Genetic Opera from Saw-lord Darren Lynn Bousman.

Woohoo! Not one holocaust documentary or 165-minute French political drama at this festival, folks! And of course you should expect a few last-minute surprises. This is, after all, the festival that scored (way) early screenings of Apocalypto, Persepolis, Southland Tales, Pan's Labyrinth, There Will Be Blood, and ... um ... Postal. FF begins on September 18, and you know who'll be covering for us? The ultra-mega-stellar awesome team of Goss, Martin, Kernion & Weinberg. And we take our genre stuff very seriously.

*Yes, "Fanty." Let's hope it sticks.

I had a ball describing Fear(s) of the Dark to my fellow movie freaks. After really enjoying the film at last January's Sundance Film Festival (and calling Fantastic Fest Master Chief Tim League to give him the scoop), I made sure to come up with an apt description for the film. "Hmm, what's it about?" my fellow fest-goers would ask, to which I'd reply "Oh, it's your typical French animated ... horror ... anthology. In black & white." The next response was either "Oooh, cool," (my friends) or "Meh, not my speed." (total strangers).

Created by a collection of gifted graphic artists that includes names like Charles Burns, Romain Slocombe, and Marie Caillou, Fear(s) of the Dark is not exactly a Creepshow-style omnibus, but for genre fans who can appreciate a little culture now and again, I'd call it a very cool little treat. And if you're a big fan of graphic arts or the craft of animation, then I suspect you'll devour this French delicacy with a very large spoon. Plus, best of all, it's creepy!

Fear(s) of the Dark opens on in New York City (and On Demand! Like in your living room!) on October 24 before rolling into other towns -- and yep, it's also screening a few times at Austin's Fantastic Fest -- but we're very proud to bring you the first official poster for the film. Trust me when I say the poster fits the movie quite well. Click below for the noir-ness!

The Asian Film Festival of Dallas wrapped up last week with actor/action choreographer Tak Sakaguchi (Versus) in attendance to screen his directing debut, Be a Man! Samurai School. Unfortunately, I missed that night, but two films that screened earlier in the fest stood out for their unique visions.

Indonesian movies are hard to come by in the US, so I confess my total ignorance about the country and its cinema. Is Kala (AKA Dead Time) representative in any way? I don't know, but I very much liked its mix of dramatic mystery and supernatural lore. Director Joko Anwar has a great eye for composition -- he's really good with looming shadows -- and harbors no fear of traveling down well-trodden paths before adding his own odd twists. The film doesn't completely hang together in the narrative sense, and the ending is probably too apocalyptic for its own good, but any movie that features a narcoleptic journalist, a world-weary cop, and a serial-killing spirit deserves attention.

When I describe Muay Thai Chaiya as "insane," it is with all due respect for a movie that begins as a straightforward tale of three ambitious boxing buddies before nearly drowning in soapy melodramatics. What rescues it from terminal dampness is writer / director Kongkiat Khomsiri's complete embrace of a go-for-broke, everything-but-the-kitchen-sink aesthetic that's reminiscent of trashily enjoyable, "C"-level, late 80s Hong Kong action pictures. Toss in sincere regret, romantic betrayal, and more self-sacrifice than you can shake a stick at, and Muay Thai Chaiya edges into "very watchable, never boring" territory.

Unfortunately, neither film is available right now on Region 1 DVD. Muay Thai Chaiya will be playing at Fantastic Fest next month. Both Kala and Muay Thai Chaiya also have official sites.

It's been a while since we heard anything about Johnny Depp's second foray into the world of comic book adaptation, otherwise known as Rex Mundi. Back in 2006, Depp purchased the rights to Arvid Nelson's Dark Horse series under his Infinitum Nihil banner, with the intention to star as Dr. Julien Sauniere.

To refresh your memory, Rex Mundi is set in an alternate history where Martin Luther was assassinated, the Reformation never took place, and the Catholic Church still reigns supreme. The comics take place in the 1930's, in a world where the Inquisition still runs rampant, Europe is ruled by monarchs, but magic manages to exist. Into this walks Dr. Sauniere, who finds himself investigating the disappearance of a medieval scroll, and a trail of horrific ritual murders. You can find out more on its official site, if you're interested. Depp was drawn to the project not because he's a comic reader, but because he's keenly interested in the Templar Knights, and "loves that kind of research" according to Barry Levine, who's co-producing.

According to MTV, Rex now has a script, penned by Jim Uhls, and is looking for a director. Depp has been right in the thick of all the decision making, says his co-producer Barry Levine. "The second draft is now coming in from Jim, and Warner Bros. is pretty excited about it. They came up with a couple of names for directors, so now we just need Johnny to look at the list. It all begins and ends with Johnny. He's got to be happy with the script, and he gave his notes, so we'll see what happens next."